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First Steps: Historic Church Restoration

The beginning of a historic church restoration or new design requires research of many kinds. This blog explores the first major steps that propel the project forward. The first two, Paint Investigation and Plaster Survey are the combined efforts of on and off site research and analysis.

Both of these studies survey the walls, the condition, the history, and stability. The mockup sheds light on what the space can become by choosing an area in the church to introduce the original or new design: color schemes and patterns.

THE FIRST STEPS IN RESTORING A CHURCH’S DECORATIVE PAINT

paint investigation, as the name betrays, analyzes the layers of paint. Many churches were painted solid colors, often grey or white, in the 1970s, this process allows us to uncover the decorative paint schemes and colors that lay beneath the whitewash.

The lack of decoration combined with a complex structure can actually weaken and distract from the architecture. Design is meant to complement and support the architecture. Without design, unique features in the building are lost. To further understand the basics behind the relationship of architecture and decoration read Owen Jones’s Grammar of Ornament.

THE FIRST STEPS IN RESTORING PLASTER IN A CHURCH

The plaster survey considers the condition of the plaster throughout the building. With access to the attic, we can determine through an analysis of the plaster its condition, age, material, and whether repairs need to be made.

A plaster survey is an analysis that determines the cause of the failure in order to explain the effect. The survey also provides the means to establish an efficient plan of action to properly repair the damage.

The mockup provides a look into the future, truly it is foreshadowing the beauty that is to come. In either a side chapel or an aisle bay, we can make a full scale, on site model of the proposed design scheme. This process allows the church to “try on” the design, encouraging curiosity and excitement among the parishioners.

Mockups provide a roadmap for budgets, fundraising, and a window into the final product. Witnessing the mockup being painted on site demystifies the process of restoration allowing the parish to understand the creative process in action.

WHERE DO YOU STAND IN THE PROCESS?

Asking yourself a few simple questions can be a great way to determine where you stand in the restoration process, and which services your church might benefit from

Historic Paint Investigation

    • If the church is solid grey or white and built before 1950, chances are, there are decorative paint schemes and designs beneath the whitewash.

    • If you are interested in repainting the church, this is an excellent opportunity to better understand the church’s decorative history.

    • With the discoveries from a historic paint analysis, the church could be restored to its original interior or a new design can be developed based on the original.

Plaster Survey

    • If there are cracks in the ceiling plaster whether the causes be water damage, time or unknown, the plaster may be failing.

    • If the church has in the past or is planning on updating HVAC, lighting or sound systems, the plaster may be compromised due to the stress of new equipment.

    • If plaster falls into the space below, the plaster is most certainly failing and a risk to those who frequent the building.

    • If you’re planning a decorative paint campaign, it is in your best interest to inspect the plaster before embarking on endeavors dependent on the stability of the plaster.

Mockup

    • If there is uncertainty of how the colors and designs will look in the church, a mockup is a cost efficient way to visualize the completed effect of the project.

    • If there is need of fundraising, a mockup acts as an excellent way to engage parishioners in the project. The mockup gives the congregation a hint of what might become and encourages the project into production.

If unsure, most conservators would welcome an initial conversation to guide you in the right direction. Conducting a study at the beginning of a project, before other work has begun, can often save you money in the long run by helping you anticipate unseen issues and challenges, avoid costly mistakes, and understand your structure on a more holistic level.

Due to the growing need for church restoration and beautification across the nation, John Canning & Co. developed Canning Liturgical Arts to focus in on these sacred building projects. We are happy to help if you would like to discuss a project.

Canning C

April 23, 2020

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We were able to uncovered original colors, patterns, and finishes to conserve 24 murals while restoring Stations of the Cross and the scagliola columns.

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StMary St Catherine Parish after restoration

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canning-st-mary-norwalk-nave-detail

Saint Mary Roman Catholic Church Norwalk

We carefully installed the new Gothic Revival interior design that references Catholic liturgy, traditional iconography, and celebration of Saint Mary.

Sacred Guide
John Canning & Co. Resources

As a conservation studio and restoration contractor, our team of highly skilled craftsmen, artisans, and conservators are experienced in the use of traditional methods and materials. We understand the importance in sharing our expertise and knowledge in our field.

Check Out Our Liturgical Arts Guide