Without patrons of the arts, there would be no Sistine Chapel nor Battell Chapel. Perhaps it is this collaborative relationship, dare say dependency, between the creative and the patron that makes the art world such a unique industry. Without the patron, the art may never come into existence; yet still, it is the delicate role of the artist to meet the requests of the commission as well as guide toward an appropriate design and aesthetic. Whether it is the commission of a portrait or the construction of a building, art patrons are crucial in making creative ideas reality. Financial support in the arts is more than funding, it is encouragement and belief in the cause of beauty and the idea at hand.
(Left) Battell Chapel (Right) Joseph Battell, Patron of Yale University
The word itself, patron, is derived directly from the Latin patronus meaning protector or guardian. The first use of the word appears in the medieval period in relation to securing encouragement in the arts. However, this concept of promoting the arts is not novel to the 14th century. The role of the arts and the patronage thereof, has been central to civilizations since ancient times. Art may not be an immediate need in the everyday life of the average person like food or shelter, but art offers both the individual and society a shared sense of belonging and pride. For this reason, art serves a higher purpose in culture as food for the soul and mind of humanity. A civilization or country, religion or idea capable of producing its own artists and works distinguishes itself, validates its purpose, and honors its people/followers.
The end result of the arts may be enjoyment; however, the intention for patronage may vary for a number of reasons in addition to appreciation. To be sure, patronage of public works is ideological and often propelled by personal incentives. However, this need not be a wholly malicious concept, just as money is not evil in and of itself.
(Left) Jackie Kennedy Onassis supporting the preservation initiative against demolition of Grand Central Station (Right) Grand Central Restored
It is an indirect responsibility of good governments to ensure an environment amiable to the creation of beauty for the happiness and prosperity of the citizens. In this way, government projects related to construction and art should reflect the ideals written in the design and law of the country. In a speech to the House of Lords, Churchill once expressed that, “We shape our buildings; thereafter they shape us.” This simple phrase summarizes the role of art not only to reflect the present time but to shape the future. Therefore, the patronage and creation of art be it music, architecture, theater, painting, or literature comes with great responsibility.
Patrons of ecclesiastical and educational projects are generally committed to the cause or invested through personal attachment. In these cases, patronage may be great or small. The idea of being a protector of the arts, faith, education or other does not necessitate an offering of millions of dollars; rather, patronage is care, effort, and financial support no matter how great or small. In many cases, it was the small donations and individual sacrifices of parishioners that built the many beautiful churches of America.
Historic photo of a foundation ceremony, people coming together for a construction project.
In this way, perhaps we are all called to patrons of the arts, defenders, and promulgators of beauty. Each of us offers our different gifts and capabilities. If in fact, beauty and the creation thereof intends to reflect something great, it is the responsibility of all to protect that which is good and true. So it is, therefore, the role of governments and churches, schools, and theaters, as well as every individual who holds dear an ideal, cause, or faith to be defenders of beauty in their sphere.
